Free PDF Treasure Island (Classics Illustrated), by Robert Louis Stevenson

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Treasure Island (Classics Illustrated), by Robert Louis Stevenson

Treasure Island (Classics Illustrated), by Robert Louis Stevenson


Treasure Island (Classics Illustrated), by Robert Louis Stevenson


Free PDF Treasure Island (Classics Illustrated), by Robert Louis Stevenson

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Treasure Island (Classics Illustrated), by Robert Louis Stevenson

About the Author

Robert Louis Stevenson (13 November 1850 – 3 December 1894) was a Scottish adventure author best known for "Treasure Island". Other works include "Strange Case of Dr. Jekyll and Mr. Hyde" and "Kidnapped".After his family moved from Hungary to the USA, ALEX BLUM studied at the National Academy of Design in New York. He eventually joined the Eisner-Iger shop, and in 1939, he started illustrating 'Samson' and 'Eagle' for Fox. In 1940 he illustrated 'Purple Trio', 'Neon' and 'Strange Twins' for Quality Comics. In the same year, Blum started contributing to Fiction House, illustrating 'Red Comet', 'Kaanga', 'Midnight' and 'Greasemonkey Griffin' among others. He was presumably also the artist behind the pseudonym Armand Budd, that also drew for Fiction House. Alex Blum was a top artist for the Classics Illustrated series from the early issues. He illustrated over 25 Classics and stood out for his use of theatrical dramatics, which is probably why he illustrated three of the five Shakespeare Classics. Alex Anthony Blum retired in 1961 and died in 1969. After his family moved from Hungary to the USA, ALEX BLUM studied at the National Academy of Design in New York. He eventually joined the Eisner-Iger shop, and in 1939, he started illustrating 'Samson' and 'Eagle' for Fox. In 1940 he illustrated 'Purple Trio', 'Neon' and 'Strange Twins' for Quality Comics. In the same year, Blum started contributing to Fiction House, illustrating 'Red Comet', 'Kaanga', 'Midnight' and 'Greasemonkey Griffin' among others. He was presumably also the artist behind the pseudonym Armand Budd, that also drew for Fiction House. Alex Blum was a top artist for the Classics Illustrated series from the early issues. He illustrated over 25 Classics and stood out for his use of theatrical dramatics, which is probably why he illustrated three of the five Shakespeare Classics. Alex Anthony Blum retired in 1961 and died in 1969.

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Product details

Grade Level: 2 - 3

Lexile Measure: 570 (What's this?)

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Series: Classics Illustrated

Hardcover: 52 pages

Publisher: Classics Illustrated Comics (January 19, 2016)

Language: English

ISBN-10: 1910619779

ISBN-13: 978-1910619773

Product Dimensions:

6.8 x 0.5 x 9.5 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

3,622 customer reviews

Amazon Best Sellers Rank:

#788,748 in Books (See Top 100 in Books)

I would give this review zero stars if I could. This is not a legit book but rather some bound version of a combo typed/xerox copy of the original, made in the USA, San Bernardino, California, 25 June 2017, 3 days ago, upon my order apparently.This was going to be a gift for a 9 year old looking to engage further in chapter reading. No longer.I thought a rollicking pirate adventure, illustrated by N. C. Wyeth, might be fun. This poor replica is anything but fun...the cover is pixelated and the illustration plates are muddied grays, and I haven't even addressed how a 9-year old is going to try to read the disjointed copy spacing and chapter headings, as well as typos and misspellings. Please see photos.On top of this my copy was bent and sticky, go figure packing crew.100% dissatisfied long-term Amazon customer.

Excellent book; terrible quality edition that isn't at all as described. The cover is such a terrible quality copy it's clearly pixellated (attaching photo). The formatting inside is awful - hard to distinguish where new paragraphs start, spacing is all over the place.The editorial reviews quoted on the product listing refer to "easily accessible, bottom-of-the-page notes provide outstanding illumination of the text s literary and historical contexts, particularly biblical and nautical references that might otherwise elude modern readers. No other edition provides a better insight into the (sometimes murky) compositional processes behind this classic work of fiction." -- this is completely untrue, there are no notes at all. Another editorial review states "Sutherland finishes the edition with a series of puzzles and conundrums raised by the story; these are bound to stimulate discussion in a seminar setting." Also completely untrue, there is no appendix at all, the book simply finishes at the end of the story.I could produce a better quality edition of this book by self-publishing. Will be returning this book ASAP. Buy a different edition.

I just finished reading this terrific story on Kindle (ASIN: B00LP34EKI). Since Amazon lumps together all reviews for similarly titled products I've included the ASIN number so you know which version of this book I'm referring to. There are 10 illustrations and photos at the very end of the book. Only three are about this story with the rest being various photos of the author as a child, a young man, etc. You can do a lot better just by doing an image search "Treasure Island". I won't rehash the story here since it's quite well known by everyone already or at least the framework of the story is.Some of the nautical terms and pirate jargon in the story were unfamiliar to me and I found the CliffNotes Treasure Island Glossary to be very useful in understanding them. It defines terms like alow and aloft; assizes; dead-eye; my cock, as in rooster and meaning a fine young man (that one tripped me up for a few seconds) and many others. Amazon won't let me post a link to it so just do a search for "Full Glossary for Treasure Island - CliffsNotes". It'll probably be the first hit in the list and it's free.There are many images on the Web for Treasure Island. I did a Search for 'Treasure Island Map' and I found one that helped in getting a better idea of where action was taking place. I hope you enjoy the story and if you have young children why not read it aloud with them.By the way, if you want to see the film I highly recommend you watch the 1950 Disney version starring Robert Newton as Long John Silver. One RottenTomatoes critic said this; "Newton's Long John Silver is the ultimate buccaneer, a one-legged, squinty-eyed blackguard so piratical he even concludes a prayer with a hammy 'Ahhhhhrrrmen...'" And Silver could also be the most charming, silver-tongued devil around when it suited him.Enjoy

Treasure Island was written 130 years ago and it remains one of the great adventure tales of all time. I originally read it when I was about ten years old and, fifty years later, I recently re-read it in the Kindle edition. The fact that the book brings as much pleasure now as it did then is an indication of how good it really is. Stevenson truly hit the ball out of the park with this one.Much has been remarked in many of these critiques about the outdated language Stevenson used. In that regard, I have to say that the Kindle edition that I downloaded lacks one thing that was included in my old printed edition, which was published by MacMillan way back in 1924. The old edition has a set of notes following the text, explaining a lot of the nautical terms and old-fashioned jargon. It even includes the complete lyrics to "A Bottle of Rum". I never found those notes necessary but they might prove useful to some of the younger readers, to whom such language might be unfamiliar. Personally, I think the language is part of what has given this tale it's lasting appeal. In addition, I don't know whether 18th Century pirates really spoke the way Stevenson has them speak in Treasure Island, but there is no doubt that it is the way they will forever be remembered, "...and ye may lay to that, Matey"!

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Free Ebook The God Who Risks: A Theology of Divine Providence, by John Sanders

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The God Who Risks: A Theology of Divine Providence, by John Sanders

The God Who Risks: A Theology of Divine Providence, by John Sanders


The God Who Risks: A Theology of Divine Providence, by John Sanders


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The God Who Risks: A Theology of Divine Providence, by John Sanders

Review

"[The God Who Risks is] a major contribution to the dialogue between biblical and philosophical theology. John Sanders argues persuasively for belief in the God who risks and shows in detail that this view--in contrast to belief in the no-risk God--is consonant with the biblical tradition, conceptually coherent and able to account for the Christian life as a life of personal fellowship with God." (VINCENT BRÃœMMER, emeritus professor in philosophy of religion, University of Utrecht)

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About the Author

John Sanders (Th.D., University of South Africa) is professor of religion at Hendrix College in Conway, Arkansas. He has edited and written several books, including No Other Name: An Investigation into the Destiny of the Unevangelized. Three of his previous book projects have received a Christianity Today Book Award.

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Product details

Paperback: 384 pages

Publisher: IVP Academic; 02 edition (June 25, 2007)

Language: English

ISBN-10: 0830828370

ISBN-13: 978-0830828371

Product Dimensions:

6 x 1.1 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

40 customer reviews

Amazon Best Sellers Rank:

#1,059,270 in Books (See Top 100 in Books)

John E. Sanders is an American theologian who is professor of religious studies at Hendrix College. He has also written/contributed to books such as No Other Name: An Investigation into the Destiny of the Unevangelized,The Openness of God: A Biblical Challenge to the Traditional Understanding of God,What About Those Who Have Never Heard?: Three Views on the Destiny of the Unevangelized (Spectrum Multiview Book Series Spectrum Multiview Book Serie), etc.After discussing several stories in the gospels, he observes, "The faith of the community seems to have a role in shaping what God actually decides to do." (Pg. 97) He asserts that denying exhaustive divine sovererignty and asserting indeterministic freedom for humans means that "God remains a risk taker", and that "the outcome of the world was not guaranteed prior to God's decision to create this world." (Pg. 206)He suggests that while he believes that the Incarnation was always planned, human sin threw up a barrier, and "God's planned incarnation had to be adapted in order to overcome it." (Pg. 103) Later, he adds that the promises of God should be understood as "part of the divine project rather than some eternal blueprint, a project in which God has not scripted the way everything in human history will go. God has a goal, but the routes remain open." (Pg. 127)He argues that "given God's track record, we have reason to trust him, confident in his wisdom." (Pg. 183) He rejects the charge that this position results in a finite God, as "a distinction must be drawn between a self-restricting (or self-limiting) God and a finite God." (Pg. 227) He admits that unless one affirms universalism or double predestination, "it must be concluded that God's project ends in failure for some." (Pg. 230)Open theology is a highly controversial topic in evangelical circles; but regardless of which side of the debate one is on, this book is an important statement which deserves careful study.

This is a review of The God Who Risks by John Sanders which has the subtitle, A Theology of Divine Providence. I noticed this book on an expedition I did on amazon looking for books on process theology - something once of interest to Whitehead. This one was in a more Christian context and a lot easier to understand and relate to than the more Whiteheadian texts.The Sanders book describes open theism and concepts important to it like dynamic omniscience and contrasts it and its implications with those of more traditional theological models. This book is written in a Christian context, but it might be applicable more broadly.For readers unfamiliar with the general idea of open theism, it is basically one where God has chosen NOT to determine everything. God is seen as desiring a truly interactive relationship with his creation (especially us) and is responsive to things that happen in creation not caused by God. For example, open theism allows for God to change his mind based on requests made by people. This seems to be completely counter to Augustine, Aquinas and Calvin, who appeared to view God as immutable to an extreme with the implication being that humans are actually puppets. In my opinion, the God Jesus described was certainly more of the open theists than that of Calvin and the like.Open theists allow for God to have some broad plan for the creation and individual people, and he can take action to guide things in that direction, but the important thing is that he (at least usually) will not force the issue. The implications of this make for a more hopeful existence than the alternative.There is actually quite a lot more to this, at least as to implications - those involving the problem of evil being some of the most interesting. (I would argue that even quantum mechanics and its probabilistic picture of the physical universe could be another of these implications, but the author did not seem to mention this one in particular.) The author takes readers carefully through a series of arguments to show basic implications and how open theism makes good sense and is even well based on very old tradition and the Bible itself. I thought that these arguments also made the alternatives look illogical, but the author tried to be respectful and didn't beat on that too much.Overall, I liked the book. I gave it 4 instead of five stars because(1) the author seemed to be a little inconsistent in terminology now and then, (2) the notes should have been footnotes, not endnotes and (3) the text should have been edited a little more to hone the language/argument and to cut the length down 10 to 20%, as it was a little long for what it had to say. Don't take this the wrong way - the book is still well worth reading in my opinion.

A little over ten years ago I wrote a review of this text. What I wanted to do was to update readers on the revised edition. One word: GREAT. Although I have serious problems with his revised chapter on Metaphor and Anthropomorphism because of it's lack of detail, there can be little doubt that Sanders makes a excellent case for the "Open View" of God. So, on this point, I recommend reading pp.15-38 of the original edition. Otherwise, Sanders demonstrates his ample ability to justify open theims biblically, philosophically, and theologically. His ability to point of the severe weakness of Calvinism in its understanding of human freedom and their woefully inadequate explanation of the problem of evil are outstanding and clear. Enough Said.One note of critique. Although Sanders provides excellent biblical grounding for the open view based upon the Gospels, open theists need to provide more justification for their view on more of the New Testament corpus. Simply providing an adequate answer to Ephesians 1:11 and Romans 9-11 will not do it.By the way, for those who do not have or do not want to take the time to read this entire manuscript, Sanders provides and excellent overview of open theism in Perspectives on the Doctrine of God: Four Views.

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Ebook Download Operation Red Jericho: The Guild of Specialists Book 1

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Operation Red Jericho: The Guild of Specialists Book 1

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About the Author

Joshua Mowll has worked as a graphic artist for the MAIL ON SUNDAY since 1994. During that time he has illustrated and drawn everything from space flights, medical procedures, and airplane crashes to ancient pyramid theories, invasions, and laser-guided weaponry. Of Southeast Asian pirates, one of the plot elements in OPERATION RED JERICHO, he says, "The word pirates immediately conjures up images of the Caribbean, Blackbeard, and buried treasure. But for sheer scale and professionalism, Chinese and Southeast Asian piracy has a much longer and more notorious history." Joshua Mowll lives in London. OPERATION RED JERICHO is his first book.

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Product details

Series: The Guild of Specialists (Book 1)

Paperback: 271 pages

Publisher: Candlewick; Reprint edition (September 13, 2007)

Language: English

ISBN-10: 9780763634759

ISBN-13: 978-0763634759

ASIN: 0763634751

Product Dimensions:

5.3 x 0.9 x 7.5 inches

Shipping Weight: 15.2 ounces

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,502,650 in Books (See Top 100 in Books)

This is really nice adventure book for kids. In my opinion, you can start with 4 years old - no problem here. The story is told in such good way, kids will follow it with curiosity in their eyes. Additional materials in the book (like ninja warrior description, or ship schema) are these little spots where kids like to rest for a while during the read.Highly recommended.

Being 58 years old, I don't think I am the intended audience for the book or series. However, I still found it engaging and interesting.Keep it in mind as a gift for young adults.

What an awesome book! Despite the unique cover design and loads of diagrams/art inside the book, it still remains a captivating novel without being a "picture book". BE WARNED: this trilogy is addictive, so you might as well order the other 2 now. I recommend buying rather than borrowing this book because the fascinating full-size diagrams and pictures are well done and worth keeping.Throughout the series, you sort of lose track of which elements are fictional and which are real. It helps to do internet searches of elements you're not sure of, like the element "Zoridium", which I was convinced was real until I searched it. All in all, great series good for all ages (I'm 19 and I'm getting ready to read through it again).

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Download Ebook Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, by Neil Gaiman Terry Pratchett

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Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, by Neil Gaiman Terry Pratchett

Review

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From the Back Cover

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture.And someone seems to have misplaced the Antichrist . . .

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Product details

Mass Market Paperback: 512 pages

Publisher: William Morrow; Reprint edition (November 28, 2006)

Language: English

ISBN-10: 0060853980

ISBN-13: 978-0060853983

Product Dimensions:

4.2 x 1.3 x 6.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,910 customer reviews

Amazon Best Sellers Rank:

#127 in Books (See Top 100 in Books)

Without a doubt, this is one of the very best Terry Pratchett books ever written. It's not a Discworld story, it's only slightly funny sometimes. It's just a really fun story, very well told, that gives you some subtle insight into humanity. In other words, it's a Pratchett story.

You may be a fan of Neil Gaiman's writing or maybe a TP fan. I happen to be both. Nothing pleases me more than listening to a witty, satirical and rollicking story about the end of the world, as foretold and foreseen by one Agnes Nutter, witch. I will probably listen to the story several more times and then donate the cd collection to my local library, for other people to enjoy.

I can't understand all the great reviews for this novel!? I'm a huge Neil Gaiman fan, so I was expecting a lot when he teamed up with his well reputed friend, Pratchett. Prachett is very well known for his "Discworld" series, which I was planning on getting to eventually, but I'm not so certain now.This book tries way too hard to be "wacky". There is no naturalness to the flow of the humor. Speaking of which, there is no naturalness to the pivotal character, "the anti-christ".They write "Adam" and his three friends extremely poorly. They write them as how adults, who haven't seen a kid since they were one, think a wacky pack of seven year olds might act (they are eleven, but the authors put them at the maturity level of seven year olds).I'll give the first "Discworld" novel a chance, but if starts off with the same tone as this book, I'll put it down very quickly.BTW, some people are comparing the humor in this book to Douglas Adams??? I don't see where. It doesn't even resemble poorly done Douglas Adams work.

Nature or nurture? That’s the question at the core of this funny take on the coming of the apocalypse, written by two masters of humorous speculative fiction—the late Terry Pratchett and Neil Gaiman. The end of days is coming. What if the anti-Christ responsible for seeing it through had been switched at the hospital and was raised as a normal kid? Would he be evil enough? If not, how would the apocalypse play out? After a chapter that shows the reader the mix up at the hospital, the bulk of the book takes place over a few days that are supposed to be the last few days of humanity.There’s an extensive cast of characters including the “gang” of Adam the anti-Christ, the four horse-persons of the apocalypse, angels and demons, witches and witch-hunters, and other sundry characters. However, the characters that most carry the tone and message of the book are Crowley (a demon) and Aziraphale (an angel.) With these two, the authors inject some Taoism into an otherwise Biblical world. That is to say, pure evil and pure good are rarities; there’s always a bit of good amid the bad, and vice versa. Aziraphale can be grumpy, and Crowley’s proclivity to be mischievous has its limits. Being in similar positions, the two bond as low level managers working for Coke and Pepsi might get on because they face similar demands and have similar complaints about management.Running through the book are mentions of a book called, “The Nice and Accurate Prophecies of Agnes Nutter, Witch.” This witch’s prophecies are quite unusual in that they are invariably correct, and yet are specific. That is, the prophecies aren’t “right” in the sense that astrologers are often “right” by making vague statements that offer no disprovable propositions. This might lead one to believe that the book would be a marvelous guide for making predictions. However, there is still the issue of having been written centuries ago. Items like automobiles and cellphones, that play a major role in life today, were unfathomable. Furthermore, it’s usually not clear who, exactly, a given prophecy applies to. In short, the medieval writing style results in the fact that the prophecies usually only make sense after the fact.I’d recommend this book for readers of humorous speculative fiction.

After reading lots of post-apocalyptic stories, it's nice for me to read one about the apocalypse. Good Omens tells the story of the coming of the Anti-Christ. Everyone who is in the know assumes it will be just like the book of Revelation. In the know are two angels (one working for Heaven and the other for Hell) as well as the four horsemen of the Apocalypse (who kill time before meeting up with the Anti-Christ at Armageddon by causing trouble for people). The ineffable plan of God is about to come to fruition, time is on the verge of ending.But the plan goes awry. Crowley (Hell's angel, who used to be called Crawley because he was the snake who tempted Adam and Eve out of Paradise) is supposed to swap the infant son of Satan for the son of an American diplomat, but there's a mix-up in the nursery that goes unnoticed. Aziraphale (Heaven's angel, who gave his flaming sword to Adam and Eve when they left Paradise because it was about to rain) has an agreement with Crowley. They have both been living on the earth long enough to have an affection for humans and all the neat stuff they have invented. Most importantly, they've started to latch on to free will, not only trying to get people to do good or evil on their own, but also starting to do a bit of work for each other when it's convenient and not too obviously contrary to their superiors' orders. Things are complicated for the angels.The real Anti-Christ was raised as a normal child called Adam Young. He has some strange influence over other people but is basically a good boy most of the time. He has a group of friends in his small English town who play the usual games and are opposed by another group of local kids, a rival gang if you will.Also in the mix is Anathema Device, a young women descended from Agnes Nutter, a seventeenth century witch noted for her accurate (though obscure) prophecies. Those prophecies involve the end times and her family members. The predictions are hard to interpret before the fact, however, so she runs around a bit trying to put two and two together before the world comes apart.All this might sound like a serious drama, but in the hands of Pratchett and Gaiman, it's much more of a mad cap adventure. Crowley and Aziraphale are buddies trying to keep things going a little bit longer on earth. If the plan is really ineffable, who's to say the world isn't supposed to end now? The book has the dry, British sense of humor found in Douglas Adams's works or Monty Python. It is quite delightful and had me laughing out loud in several spots.Highly recommended.Also, I read this because Julie and Scott discussed it on A Good Story is Hard to Find podcast. Check out their fun comments!

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